Final Cut Pro 3,5/5
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Final Cut Pro

us fr jp cn es pt mx de kr it se ru nl gb

Por Apple (Apple Inc.)

Redesigned from the ground up, Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought.

Revolutionary Video Editing
• The Magnetic Timeline 2 with color coding and flexible lanes is faster and easier to use than traditional tracks
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multicamera projects with automatic syncing based on audio waveforms and support for up to 64 camera angles

Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords or favorites on the fly as you select clip ranges
• Smart Collections dynamically organize content for you to quickly find any shot in a few clicks

Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• Work natively with a broad range of formats including ProRes, RED, XAVC, AVCHD, H.264 from DSLRs, and more

Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Change the look of titles, transitions, and effects using intuitive controls
• Choose from an extensive ecosystem of third-party FxPlug plug-ins with custom interfaces

Integrated Audio Editing
• Assign roles — including dialogue, music, effects, and custom choices — during import to easily track and organize your project
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair audio problems such as hum, excessive background noise, and more
• Sync DSLR video with separate audio in a single step with instant audio waveform matching

Intuitive Color Grading
• Import, edit, and deliver video in standard color spaces, or in wide Rec. 2020 color space
• Improve the look of any clip with one-click Balance Color
• Manipulate color, saturation, and exposure with the Color Board
• Fine tune a specific color or area of the screen using keying and masks

One-Step, Optimized Output
• Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo, YouTube, and Facebook
• Use themed menus to author and burn a DVD or Blu-ray disc
• Export audio stems and multiple versions of a finished video using roles metadata
• Import and export XML for third-party workflows like color grading and sound mixing

System Requirements: OS X v10.11.4 or later, 4GB of RAM (8GB recommended for 4K editing and 3D titles), OpenCL-capable graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM (1GB recommended for 4K and 3D titles), 4.15GB of disk space.

Some features require internet access; additional fees may apply. Blu-ray recorder required for burning Blu-ray discs.

Notas de lançamento

27/5/2017 | Versão : 10.3.4 | Tamanho : 2,7 GB
• Resolves a stability issue when using keyboard shortcuts to trim in Secondary Storylines
• Fixes an issue in which certain editing operations could create an extra audio fade in
• Fixes an issue in which the Share dialog could incorrectly display a codec warning

Introduced in Version 10.3.3
• Ability to expand the width of the Inspector to view and adjust effect parameters
• Fixes issues with updating older libraries
• Faster redraw of audio waveforms when using clips that are being imported while recorded to disk
• Diamond icon in the Timeline Index to show when the user has modified display of roles in the timeline
• More color options in the Role Editor
• Reveal in Browser correctly displays the location of the original clip in the browser
• Support for Canon Log 3 and Sony S-Log3/S-Gamut3 log processing
• Resolves an issue in which the viewer could occasionally disappear when exiting full screen
• Resolves issues in which Share to DVD could become unresponsive
• Improves font quality of DVD menu and chapter titles
• Improves image quality when creating a DVD
• Enhanced DVD User dialog messages with embedded links to documentation

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Ability to roll trim on adjacent anchored clips
• Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions.

17/3/2017 | Versão : 10.3.2 | Tamanho : 2,8 GB
• Ability to add custom folders of audio files to the Sound Effects browser
• Using ripple delete on audio-only clips no longer disables the selected range
• Audio meters retain custom width after relaunch
• Improves responsiveness when editing very long projects
• Improves performance when exporting H.264 files and changing frame rate
• Exporting ProRes 4444 files with transparency using Compressor creates a correct alpha channel
• Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line
• Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline
• Fixes an issue that could prevent burning Final Cut Pro projects to DVD via Apple USB SuperDrive

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions.

6/1/2017 | Versão : 10.3.1 | Tamanho : 2,8 GB
• Fixes an issue with cropped images in the Viewer when the Language & Region System Preference is set to Spanish
• Fixes issues with updating libraries
• Fixes an issue when using Paste Attributes to copy color correction between clips 

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range
• Video scopes display wide color in real time

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Copy and paste timecode to speed up numerical entry from text documents
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Search custom metadata in the Browser and Timeline
• Search Timeline Index for Auditions, Compound Clips, Multicam Clips, and Synchronized Clips
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Skim and select ranges of audio files in the Music and Sound Effects browser
• Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
• Enhanced XML support lets you import projects and clips into existing events
• Ability to drag and drop clips, projects, and events as XML with supported applications

Ranking

Global :
#88 : Top apps pagos para Mac
#188 : Top apps rentáveis para Mac

Categorias :
#8 : Top apps pagos para Mac [Vídeo]
#16 : Top apps rentáveis para Mac [Vídeo]

Imagens Mac OSX :

Imagens Mac OSX Imagens Mac OSX Imagens Mac OSX Imagens Mac OSX Imagens Mac OSX

Categoria

Fotografia , Vídeo


Dispositivos suportados : Mac OS

Comentários e avaliações para Final Cut Pro

Decepcionado. (10.3)
14/11/2016 14:23:00 3/5 Por nexikun
Muito lento , trava a todo momento, perdi 2 projetos praticamente pronto , A Apple tá de brincadeira com profissionais que usam Final Cut .

10.3 é simplesmente SHOW!!! (10.3)
12/11/2016 10:08:00 5/5 Por Bruno71
FANTÁSTICA ATUALIZAÇÃO! Se você já usa o FCPX em versão anterior e gosta, atualize sem medo. A 10.3 deixou o FCPX melhor, mais rápido e muito mais orgânico. É incrível como a interface redesenhada, mais clean, permite que você foque melhor no trabalho. Um dia de edição na versão 10.3 faz o design das versões anteriores ter um look do século passado. Além disso, ficou mais rápido. Bom demais!

Terrível (10.3)
6/11/2016 14:52:00 1/5 Por Ronaldo B N
Essa atualização ferrou tudo, não consigo gravar em DVD, está péssimo. Estou pensando seriamente em mudar pro Adobe Premier. A renderização para em 66% e já fiz de tudo,inclusive tirei a imagem, deu boot no sistema e não passa de 66% estou decepcionado. Se alguem puder me ajudar segue meu WhatsApp (11) 94177-7788

Estou completamente PERDIDA (10.3)
2/11/2016 20:15:00 1/5 Por ARIADNA THALIA DA SILVA ARANTES
Eu já não falo bem inglês, uso ele todo em Espanhol. Deveria ter em Portugues e Italiano também. Não sei aonde foram parar alguns de meus plugins. Eu simplismente não consigo ajustar a tela de visualizacao na minha area de trabalho. Quando finalmente consegui de uma maneira INATURAL, eu não consigo posicionar o efeito de luz central em cima da imagem que eu quero por exemplo. Não consigo mover com o mouse. Infelizmente essa atualização ferrou com minha semana de trabalho…. não é possível, deve existir alguma maneira de me adaptar de maneira rapida…. APPLE ponha pelo amor de DEUS tutoriais explicando porque esta muito difícil.

Muito rápido (10.3)
27/10/2016 18:32:00 5/5 Por Gera Neto
Essa nova versão está extremamete rápida. Agora o FCPX chegou a maturidade.

Falta Tradução para Português Brasil (10.2.3)
6/9/2016 2:51:00 5/5 Por Ronaldo B N
Vale o investimento, ficaria melhor se houvesste tradução para Português Brasileiro.

Excelente (10.2.3)
25/7/2016 21:22:00 5/5 Por Jacques Video
Melhor que Premiere… Estavel, Rapido, Edita 4k em tempo real. Só falta um XML, compativel com Final Cut Pro 7 Vale o investimento…

Vamos estudar! (10.2.2)
8/10/2015 22:59:00 4/5 Por Rodrigo Negrão
Vamos estudar um pouco e usar os aprimoramentos novos do Final Cut X.

Não consigo visualizar o arquivo em AVCHD (10.2)
23/4/2015 17:13:00 2/5 Por Kaloves
Baixei a atualização FCP X e não consigo mais visualizar os arquivos em AVCHD, estou no meio de um trabalho e não consigo terminar, Apple preciso urgentemente de uma solução para o problema.

Problema para exportar (10.2)
16/4/2015 16:17:00 3/5 Por Glaucioayala
Tanto no MacPro quanto no Macbook Pro ele não exporta, fica em 0% e nem deixa cancelar o render. Só funciona se for em ProRes. Os formatos mais leves não rolam. PROBLEMA GRAVÍSSIMO.


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